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Choose the camera, lens, movement, and lighting approach that serves the idea.
COMMERCIAL SERVICES
COMMERCIAL SERVICES / CINEMATOGRAPHY + VIDEO
A commercial image needs a consistent visual logic across setups, departments, and a constrained production schedule.
Lead the camera, composition and lighting approach on a defined production.
Visual treatment and technical image plan
Camera and lighting supervision
Director-of-photography service for the scoped day
Exposure, continuity, and finishing notes
The image plan connects reference frames to practical setups and finishing decisions before production time is committed.
Choose the camera, lens, movement, and lighting approach that serves the idea.
Coordinate the planned images with locations, crew, and finishing requirements.
Supervise camera and lighting execution during the scoped production day.
The rate-card scope factors are shown below. Client complexity is applied separately.
One director-of-photography day for a focused commercial capture brief.
One day with more camera setups, lighting transitions, or planned movement.
One complex cinematography day coordinating larger camera and lighting teams; extra days are separate quantities.
A planning range using the same rate card as the full DOC N.I.L. calculator.
Assess image continuity, technical quality, and coverage against the approved commercial shot plan.
A commercial can maintain a deliberate visual language between a controlled product setup, a talent scene, and an environmental sequence.
The proposal confirms quantities, review rounds, locations, versions, and the service period. Additional work receives a written change scope before it starts.
8% G&A is additional. Third-party costs and applicable tax are confirmed separately. Estimates are planning ranges, not a booking or a guarantee of results.
Production fees do not automatically transfer copyright, grant perpetual usage, include talent rights, or permit AI training. Licensed use must name the media, term, territory, and licensee.
The rate is per day. One director-of-photography day for a focused commercial capture brief. The proposal fixes quantities, schedules, review rounds, and delivery specifications before work begins.
Camera packages, lighting, grip, and crew are separate unless included. Directing, editing, studio hire, and travel are separate. Additional hours, technical tests, and extra production days require approval. Any change outside the approved scope is priced before it proceeds.
Separate products. Connected when the brief calls for them.